There is no line separating gender in the works of Filipino designer Mikayl Trinidad for his brand Monohomme. He combines different materials, plays with contemporary silhouettes, and merges elegance and casual elements to create pieces that appeal to many wearers. This genderless take on fashion perhaps mirrors where the industry is heading, especially when he established his brand during the pandemic.

Despite being fascinated by fashion at such a young age, Mikayl’s passion for it grew not because of its constant presence in his life, but because of its elusiveness during his formative years.

“Fashion has always been a part of me, even as a kid, but it really reignited when I was in college,” the designer tells Manila Bulletin Lifestyle. “Growing up, Christmas was usually the only time we could afford new clothes. I remember telling myself that when I got older, I wanted to be able to create clothes for myself so I wouldn’t have to wait for a special occasion to wear something new. Looking back, I think that experience played a big role in why I pursued fashion.”

Fast forward to now, Monohomme has not only dressed many Filipino stars but has also graced runway shows and magazine pages. This time, after playing with universal designs and reimagining traditional Filipino garb, Mikayl unveils his brand’s first women’s collection.

A love letter to the “mothers” of his life, the collection celebrates these women’s impact on Mikayl’s life in a maximalist fashion, while still staying true to Monohomme’s aesthetic. Unlike his past creations, he leans more into femininity, exploring vivid hues, a variety of textures, and romantic silhouettes.

“Across 16 pieces, it tells stories and memories that I’ve shared with them over the years,” he says. “I used my experiences and personal moments with these women as a starting point and translated them into garments. It’s probably one of the most personal and story-driven collections I’ve created.”

Monohomme is known for its use of lace and denim, and he continues working with these materials throughout the collection. They become important tools in helping tell the stories behind each piece. In terms of silhouettes, the collection explores classic womenswear elements such as dresses, balloon skirts, sheer details, and corset-inspired bodices.

“Creating a womenswear collection has also been a long time coming for the brand, so it felt like the right moment to finally bring it to life,” Mikayl muses.

When asked who the Monohomme woman is, Mikayl describes her as someone full of confidence who carries herself with ease.

“She is creative, curious, and unafraid to express who she is,” he adds. “She embraces both femininity and masculinity, finding strength in the contrast between the two.”