The phrase “palag lang” (don't back down) is a staple of Filipino street slang—a gritty, shorthand reminder to keep fighting when the weight of the world feels too heavy. For multidisciplinary artist Meyo De Jesus, these two words are more than just a pep talk; they are the foundation of his latest exhibit at Fundación Sansó in San Juan City. By combining abstract art and found-object collage, Meyo transforms the chaos of modern survival into an anthem of resilience in his exhibit “Palag Lang,” proving that even in the most turbulent times, there is a rhythmic beauty in simply refusing to give up.

This exhibit showcases a mastery honed over two decades in the creative industry, spanning from Meyo's roots as a cartoonist for The Manila Bulletin in the late 1990s to his current role as a seasoned motion graphics artist and painter. The inspiration for the show stems from the common expressions of grit heard in the everyday Filipino experience.

“'Palag lang,' is like ‘Laban lang' (keep fighting) and ‘Kaya Mo ‘Yan’ (you can do it) expressions of courage," Meyo says in Tagalog. "You often hear it from people going through hardships in life, especially in times like these. Embedded within the canvases are phrases that serve as anchors for the soul."

"The story behind this show is that I want people who see it to feel that there is always hope , maybe not today, but perhaps tomorrow. There will always be another tomorrow, and there will always be change waiting to happen in life," he adds. 

Known for his “gestural abstraction” fused with media collage, Meyo utilizes a complex construction of diverse materials, including paint, ink, pastels, found paper, corrugated boards, magazine clippings, and even printed food packaging. Harmonizing these elements is a significant feat, as the artist admits that every piece carries its own struggle.

“I need what I attach to the artwork to blend naturally with it, as if it truly belongs there. It shouldn’t feel separate—the artwork should appear whole. Everything has to be in sync, with the piece coming together in a harmonious way,” says Meyo.

A review of the works reveals a symphony of grit, characterized by bold colors and aggressive textures that mirror the noise of modern life. In "Rhythmic Chaos," the vivid red arcs and collage elements like the Safeguard logo and architectural stairs represent the rituals of daily survival. It is an unrestrained piece that captures the visceral energy of the exhibit. In contrast, "Ililibre Ko si Nanay" is deeply personal and emotional, using familiar commercial logos alongside hand-drawn coffee cups to touch on the simple, driving dreams of providing for family amid the hustle.

The large-scale work "Ano ka ba, may bukas pa" serves as the anchor of the exhibit, where bright yellow circles and the silhouette of a waiting figure provide a sense of certainty that a new day is inevitable despite any surrounding darkness. Furthermore, “I Will Roam Freely” showcases his background in graphic storytelling, featuring a small car ascending a white curve to symbolize progress and freedom within a turbulent environment.

The most significant feedback Meyo has received from visitors is the recognition of his authentic self in every stroke. From his early days in print media to his workshops mentoring the next generation, his art has evolved while remaining rooted in the power of the narrative. “Palag Lang” serves as a reminder that while life is an unpredictable journey, we must choose to move forward with gratitude. As the artist himself advises those facing their own battles: “Just pass through it; don't stay there. Palag lang.”

“Palag Lang” by Meyo de Jesus runs until May 21 at Scholars Gallery and Fundacion Sanso, San Juan City, Manila.