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The honor of receiving the Programme Director's Prize

Published Apr 8, 2026 12:05 am  |  Updated Apr 7, 2026 06:14 pm
NIGHT OWL
There are honors you do not expect to receive, especially when your earliest experiences taught you to expect limitation instead.
Receiving the Programme Director’s Prize is one of those honors.
The Programme Director’s Prize is awarded for an exceptional contribution to the classroom and cohort; recipients are selected by a panel of judges that includes the Programme Director and the Academic Director. That makes it a profound honor. It is not simply recognition for academic performance. It is recognition for presence, contribution, and the role one has played in shaping a shared intellectual community.
For me, receiving it is deeply humbling because of where I began.
I come from the Karay-a ethnolinguistic tribe, an indigenous people in the Philippines. English is not my first language. I grew up with a speech defect, and as a child, I stuttered. I was bullied for the way I spoke. Like many children who grow up being made painfully aware of their difference, I learned early what it meant to feel small, to feel watched, and to feel the pressure of silence. I learned what it was to hesitate before speaking, not because I had nothing to say, but because I feared what might happen when I tried.
And yet the first English book I ever owned was an Oxford dictionary.
It was through that dictionary that I learned many of my English words, slowly and imperfectly, word by word. I could not have imagined then that one day I would find myself at Oxford, let alone be recognized there for my contribution to a classroom. The symbolism of that is not lost on me. A child who once struggled through English, who stuttered, who was mocked for speaking, has now received a prize at Oxford. That is a full-circle moment I hold with deep gratitude.
But the meaning of Oxford in my life goes beyond academic achievement.
Of course, Oxford changed me intellectually. It sharpened how I think, how I read, how I question, and how I engage with complexity. It placed me in conversation with brilliant people from around the world and demanded seriousness, discipline, and growth. But staying at Oxford changed my life in another way too: It changed the architecture of my fear.
There are restrictions one grows up believing in because they are repeated so often that they begin to feel natural. Some come from circumstance. Some come from class, language, geography, or exclusion. Some come from being told directly or indirectly that there are places not meant for you, voices that will not be welcomed, heights you may admire but should not expect to reach.
And then sometimes life places you inside the very institution that once seemed unreachable, and something begins to shift.
Oxford did that for me.
It did not erase difficulty, nor did it erase the history I carry. But it removed a certain kind of fear. It stripped away many of the invisible restrictions I had once accepted as real. It made me realize that many limits are first learned internally before they are encountered externally. And more importantly, it made me understand that my only real restrictions are those I agree to abide by.
That realization is life-changing.
To live inside a place you once thought belonged only to other people is to confront the boundaries you have inherited. To remain there is to begin dismantling them. Oxford taught me not only that I could survive in spaces of excellence, but that I belonged in them. It taught me that background is not a disqualification. That stuttering does not disqualify a voice. That an indigenous child from a place far removed from institutions like this can still enter, speak, contribute, and be heard.
That is part of why this prize means so much to me.
It is not only an award. It is evidence of transformation.
And it is meaningful, too, because it was awarded in the context of an extraordinary cohort. When I looked around at my classmates, I did not just see achievement. I saw bravery. I saw people carrying responsibilities, grief, instability, and burdens that could not be measured on a transcript. I saw classmates who crossed borders, lived through uncertainty, balanced study with work and family, and kept going despite realities heavier than most classrooms can hold.
To be recognized for contribution within such a cohort feels especially significant, because this was not an ordinary classroom. It was a community shaped by seriousness, difference, resilience, and courage. If I contributed anything of value, it was because I was also changed by the people around me. My classmates deepened my thinking. They widened my understanding of the world. They reminded me that education is not simply about personal advancement, but about what we make possible in one another.
I also receive this honor with gratitude to the faculty and academic staff, whose rigor shaped us, but whose humanity sustained us. And beyond Oxford, I receive it with gratitude for the people who carried me long before I ever arrived here.
What moves me most about the Programme Director’s Prize is that it recognizes not only excellence, but contribution. Not only what one achieves, but how one shows up. For someone who once knew fear so intimately, who once felt confined by the assumptions of others and by the limits he himself had learned to accept, that recognition carries a meaning beyond accolade.
It reminds me how far a life can travel.
I receive the Programme Director’s Prize with humility and gratitude. But I also receive it as a quiet declaration: the fears that once governed me no longer do. The restrictions that once seemed permanent no longer define me.
And that may be one of Oxford’s greatest gifts of all.

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Anna Mae Lamentillo NIGHT OWL
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