Fashion fans spot possible Filipino art influence in Givenchy fall-winter 2026
Here's what you need to know about Olan Ventura's 'Still Life with Parrot, Tulip Poppies, Roses and Snowball' painting
By John Legaspi
For its fall–winter 2026 ready-to-wear collection, Givenchy puts the spotlight on refined tailoring, drapery, and art. Its creative director, Sarah Burton, unveiled a collection centered on modern womanhood, expressed through menswear-inspired silhouettes, fluid dresses in bold, attention-grabbing colors, and garments with a painterly approach.
According to LVMH, the designer drew inspiration from the works of Northern European old masters for the collection’s artful theme and sculptural forms. But for many eagle-eyed fashion enthusiasts, one piece in the collection closely resembles a work by a Filipino artist.
Givenchy’s Look 46 features an embroidered halter-neck gown with long fringe details, which many say is an adaptation of Rolando “Olan” Ventura’s painting “Still Life with Parrot, Tulip Poppies, Roses and Snowball.”
Look 46 from Givenchy fall-winter 2026 collection; Olan Ventura’s “Still Life with Parrot, Tulip Poppies, Roses and Snowball”
In an interview with Manila Bulletin Lifestyle, Olan shared that the painting is part of his “Color Feast” series, inspired by the vibrant aesthetics emerging from the Filipino folk Catholic imagination—manifested in its numerous festivals and rituals.
“At some point, it taps art historical references and the processes of today’s digital technology in image reproduction to add more layers of unique visual engagement in every piece,” the artist explains.
The piece was exhibited at Yavuz Gallery in 2019 and later became part of “Wreckage and Wonder: Philippine Art in the Age of Disruption,” a collection curated by Ruel Caasi and showcased at Whitestone Gallery in 2025 as a collateral event by Cloudgrey Gallery.
Although Givenchy has not released an official statement regarding Look 46’s connection to Olan’s work, the artist expressed positive feelings about the recognition of Filipino art.
“It was exciting to see the artwork take on a new form,” Olan muses. “The designer’s execution surprised me because it gave the piece a more sophisticated and fashionable interpretation. By transforming the image into something interactive and wearable, it allowed the artwork to reach a wider audience within the fashion industry.”
See Givenchy’s Look 46 in motion below: