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Mommy Inday Barretto vs. Raymart Santiago: Old wounds, fresh drama

Published Oct 21, 2025 02:57 pm

At A Glance

  • Mommy Inday Barretto and son-in-law Raymart Santiago are washing their dirty linen in public and people can't help but keep watching.

There are few things more enduring in Philippine showbiz than the Barretto family drama. It’s like a telenovela that refuses to roll its end credits.

Just when we thought the sisters Gretchen, Marjorie, and Claudine had settled into uneasy peace, their mother, the indomitable Mommy Inday Barretto, at 89 no less, has stepped back into the spotlight.

In her explosive sit-down with Ogie Diaz, Mommy Inday revisited her daughter Claudine’s doomed marriage to actor Raymart Santiago, alleging years of abuse and betrayal.

Her words cut deep, not just because of their content but because of the timing.

 “He married her because she was Claudine Barretto,” she declared, “and dropped her when she stopped being one.”

The line was so perfect it could have been culled from a soap opera but it wasn't. This one’s painfully real.

The internet, predictably, went wild. Nearly a million views in under a day.

Comments poured in: Some rallying behind a mother’s pain, others weary of another Barretto airing of dirty laundry.

The public’s reaction oscillated between sympathy and exhaustion. After all, how many rinse cycles does one family get?

Then came Raymart’s counterpunch, delivered not through tears but through legalese.

His lawyers, Atty. Howard Calleja and Atty. Katrin Jessica Distor-Guinigundo, branded Inday’s story as “untruthful and slanderous,” and in classic courtroom tone reminded everyone of a standing gag order that translates to, “We’ve kept quiet, and so should you.”

So, who's at fault? Well...

Mommy Inday, though clearly driven by maternal outrage, may have crossed into dangerous terrain by reviving a dispute now bound by court silence.

Yet Raymart’s carefully worded response, while polished, can also read as harsh, tone-deaf, legal thunder against an old woman’s wounded pride.

In the end, no one truly wins when private pain becomes public entertainment.

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