How one might view art is different from how others might view it. Some might find a certain piece stunning and an absolute wonder to look at, whereas others can view the same piece and deem it as nothing noteworthy. Yet, no matter how you look at any artwork, the piece remains, there for all to observe. 

National artist Arturo Luz believed that “his art was for all.” It’s hard not to recognize his unusual geometrically-driven works, displayed at galleries locally and internationally. Among his more known works is The Cyclist series, displaying abstract representations of cyclists in motion. Also of note is the Anito series, minimalist sculptures representing traditional Filipino ancestral figures. He had a rich 60-year career, creating as he saw fit and leaving behind many works for all to admire. Nowadays, his artistic vision continues to live on as his work is put on display as part of “Improvisations,” an exhibit put together by Rustan’s for the Arts.

In “Improvisations,” we are exposed to downsized versions of Luz’s larger sculptures. Although smaller in comparison to the original sculptures, it provides spectators a better perspective on his craft. There are also furniture pieces, such as chairs and tables adorned in the geometric style Luz was known for. There’s a minimalist feeling emanating from the simple black and white colors used to fill in the patterns. 

Present at the launch of “Improvisations,” at the Rustan’s Department Store in Makati City was his granddaughter Pauline Luz-Sotto. Now an artist too, she spoke fondly of how her grandfather encouraged her craftsmanship and how this exhibit continues to make Luz’s work accessible to anyone. This accessibility lives true to what Pauline’s grandfather, the late national artist, stood for.