The Filipinization of the French comic ballet Coppelia

Ballet Philippines to showcase Filipino performative art in this classic piece with stronger dancing and technically demanding choreography


At a glance

  • Style, technique, and character are the focal points of Ballet Philippines'  54th season and Coppelia highlights these aspects in splendid fashion.


By JAMES SAM

Ballet Philippines’ 54th season is opening with a Filipino rendition of Coppelia. Originating in 1870 from Paris Théâtre Impérial l’Opéra, the story is centered around Dr. Coppelius’ daughter, a life-like doll, and her sudden presence at a town festival where two youths, Franz and Swanhilda, plan to marry. Franz, becoming infatuated with the doll, shifts his attention away from Swanhilda and in an attempt to win her betrothed back, Swanhilda decides to impersonate the beautiful, life-size doll. A hectic series of events follows, concluding with a narrative that places love above all.

Coppelia_Swanhilda played by Jemima Reyes.jpeg
Swanhilda played by Jemima Reyes

A pandemic-stricken Ballet Philippines, in anticipation of its return to live performances, dons the title “Power of Dance.” Dedicated to sharing the passion of ballet to their audience, the company aims to reinvigorate the performance arts in the Philippines and elevate the experience to new heights.

According to Kathleen Liechtenstein, president of Ballet Philippines, the show is suitable for all ages. A family-bonding experience calling for introspection and self-discovery, Coppelia aims to inspire from the company’s new home at the Theater at Solaire.

Coppelia played by Idelle Buhia.jpeg
Coppelia played by Idelle Buhia

Mikhail Martynyuk describes the show as a great brightness filled with powerful dances. Having debuted as the lead performer of Coppelia, Ballet Philippines’ artistic director carries with him a wealth of knowledge garnered from 24 performances of the show in Spain. In his desire to showcase the strength and talents of Ballet Philippines’ dancers, Martynyuk’s Filipino adaptation of Coppelia incorporates stronger dancing and technically demanding choreography.

Coppelia_Franz played by Ian Ocampo.jpeg
Franz played by Ian Ocampo

“If you have style, you need to have technique,” said Martynyuk at a press preview, “If you have technique, you need to have character.” Style, technique, and character are the focal points of Ballet Philippines 54th season and Coppelia highlights these aspects in splendid fashion.

Hosted at The Theatre At Solaire, Ballet Philippines’ Coppelia will run from Aug. 4 to 6. Tickets are available online at ballet.ph.