Known for his rich symbolisms, intricate details, and masterful use of color, Fil Delacruz stands out for his ability to transform his muses into ever-evolving entities that showcase both the beauty and mystery of the Filipina.
In his latest exhibit, “Woman | Nature,” at the Gallery C of Conrad Manila, Delacruz blends painting and printmaking to create a collection of artworks that explore the symbiotic but sometimes destructive relationship between modern society and nature. His muses, who have been called diwata (goddess), mother earth, wood nymph, universal woman, maskara (mask), and subconscious other, continue to grow and explore new ways of expression.
“I draw inspiration from Mother Nature and Philippine mythology. By delving into the spiritual aspect of humanity, I try to depict woman as the universal source of life,” says Delacruz. “For me, they represent the multi-faceted role of woman and her undeniable power to not only create but as a source of divine inspiration from the natural world and our society.”
All of his artworks are representations of his ideals. They all convey his love of nature and his ongoing fascination with the mystery that is “woman.”
“The painting entitled Diwata: Bahay Kubo, Bahay Bato, represent my humble beginning in my hometown Hagonoy, Bulacan. It represents the hopes of my mother for her children. As a public school principal, she told me the importance of education and to always go after my dreams. The painting Diwata: Suyo, on the other hand, is an artwork that depicts the different personas of a woman. She is a nurturer, a lover, and a mystery,” says Delacruz.
Intriguingly, the artist blends two mediums in his exhibition: paintings and fine prints. “As a homage to the start of my career and my current experimentation in my art, the artworks in paper were done using the combination of relief print and chine-colle, while the paintings are a combination of relief and oil painting,” he explains.
International exposure has also played a crucial role in shaping his identity. His perspective on the role of women in his art has evolved through time.
“In my earlier years, I spent time with the Manobo tribe in the mountains of Kalamansig, Sultan Kudarat,” he recounts. “At first, I depicted women as an indigenous beauty, but as I traveled across the country and abroad, my view of muses evolved into a more universal representation, a spiritual embodiment of the Divine. I used my travels to search for answers to what Philippine art is and its role in a global society.”
Apart from his current exhibit, Delacruz is continuously creating and exploring new ways of artistic expression. He eagerly participates in international exhibitions and workshops. Currently, he is working on his own coffee table book.
Delacruz’s art is a constant reminder of the beauty and power of the feminine. His muses are not just objects of desire or admiration, but rather complex and multifaceted beings who embody the many different roles that women play in society. They are nurturers, lovers, warriors, and goddesses. They are a source of life and the embodiment of nature.
“I want my viewers to be able to reflect on the important role of Philippine art, in preserving not only our culture and tradition but as a vehicle to societal change,” he says. “I think Philippine art is young and vibrant. As long as there are artists who truly pursue their craft as a vehicle for artistic expression. By practicing and honing their skills and not just relying on computer generated imagery, I am confident in the continued growth of the Philippine art scene.”
“Woman | Nature,” runs until Jan. 6, 2024 at the Gallery C of Conrad Manila, Seaside Boulevard, corner of Mall of Asia Complex, Pasay City.