By Ben Rosario Buhay Party-list Representative Lito Atienza has demanded the return of the historical mural painted by national artist Botong Francisco, saying that the original has disappeared while in its place is a “tarpaulin” copy of the painting. Buhay Partylist Rep. Lito Atienza
(Russell Palma / MANILA BULLETIN FILE PHOTO) Atienza called for a congressional inquiry to look into the disappearance of the mural from its “rightful place in the Bulwagang Antonio J. Villegas” at Manila City Hall. The former city mayor said he noticed that the original Francisco painting vanished when he attended the inaugural of newly-elected Mayor Isko Moreno a few weeks ago. “We have filed a resolution calling for an immediate Congressional Inquiry into the whereabouts of the masterpiece by National Artist Carlos ‘Botong’ Francisco,” Atienza stated. He added: “This priceless obra maestra entitled Filipino Struggles through History was commissioned by then-Mayor Villegas in 1968.” According to him the painting depicts the history of Manila and its important role in our nation’s history and development. “This has always been a source of pride and inspiration for every Manileño and everyone who visited City Hall then,” he said. “This is exactly the purpose of Mayor Villegas who appropriated public funds and commissioned the painting. No one has the right to loan or or lend it to anybody,” the partylist lawmaker stated. Atienza demanded the return of the painting to its original place at the Bulwagan “in deference of the mayor, who in his patriotic and cultural vision had it made.” Atienza, who claims the distinction of being the only three-term mayor in Manila, pointed out that the mural, which had been declared a National Cultural Treasure in 1996, has been hailed by art experts as Botong’s last masterpiece and greatest extant work of art.  It disappeared from the Bulwagan 12 years ago and until now has not been returned. “When I attended the inaugural ceremonies of newly-elected Mayor Isko Moreno a few weeks ago, I saw that instead of the Botong masterpiece, what was installed in the Bulwagan is a poor tarpaulin replica!,” he said. Atienza added: “This is not only illegal, but it is a big slap to Manilans who are asking the question – where is our masterpiece? It behooves all administrations of the city to protect its existence. “ So far, nobody from the past and current city administration has stepped forward to reveal the mystery behind the missing masterpiece. “This used to be the major attraction in the Office of the Mayor. During our nine years as Mayor, every visitor, Manilan or foreign, always marveled at the grandeur of this priceless artwork,” Atienza said.