The first Spider-Verse film in 2018 was an unexpected delight that came out of left field; blending a strong narrative with interesting characters and a constant mix of different schools of animation in one frame. It turned the film into something unique within the animation genre and has been copied quite often. So the billion-dollar question would be how this new installment would up the game, and be more than just an extension of that first film.

The events depicted are roughly a year after the first installment; and from the outset, we’re treated to an angst-ridden, serious treatment for Gwen and Miles. Music is key here, moving along with the animation in imaginative, synchronized ways. It’s strong world-building, and we know we’re in for a crazy ride.

If the first film was about bringing characters into Miles Morales’ dimension, this time, it’s more about Miles venturing into the dimensions of the Spidey multiverse. And this is a great excuse for creating reams of fan service, while throwing in a narrative that keeps our interest in the main characters, and the new ones, at fever pitch.

Miles is voiced by Shameik Moore, while Gwen has Hailee Steinfeld taking the credits. Their characters, emotions and angst resonate, and they make us invest in the film. Peter B. Parker, Spider-Man Noir, etc., are now joined by Spider-Woman (Issa Rae), a hilarious Mumbattan Spidey (Karan Soni), a New London Spider-Punk (Daniel Kaluuya), plus the Spider-Man 2099 of Nueva York (Oscar Isaac). And that’s just naming the ones with extended speaking parts, as a host of other Spider-Men are in for the ride, and elicit gasps from the audience.

Miles Morales is still the central character, but you’ll appreciate how much Gwen is brought up to share the center stage and makes the move pay off. This Spider-Verse is even darker, more dramatic, and sadder than the first. It’s a mature exposition that almost challenges you to treat this animated special as you would a live-action dramatic vehicle. It is punctuated by humor but said humor is definitely taking a back seat to the tragedy that unfolds.

The animation is crazy impressive, and I especially liked the scene where the colors bleed in sympathy to what’s being spoken between Gwen and her father. The musical soundtrack is similarly topnotch, helping set the mood and tone for the narrative and crucial sequences. If anything, this veneer of drama makes the film become deeper, and carry more emotional weight, than films geared toward young audiences normally do. As a result, I wonder if children below 12 will really appreciate what is transpiring on the screen.

Across the Spider-Verse is a moving work of Art, a new standard being offered for our sublime enjoyment. It’s serious stuff!